“A strange supper-party,” he said. “Cyril the Apostate; and Julius who strove against the High Priests and the Pharisees; and Inez a dancer before the people; and Joanna a daughter of the rulers, gathered together in the house of one Mary a servant of the Lord.” She glanced round. There was no sign of the returning waiter. She bent over him and kissed him.!

“Yes,” he said. “I’ll sound him about giving up his lodgings.” “Why do you do it?” asked Miss Ensor.

They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. Years afterwards, listening to the overture to Tannhäuser, there came back to her the memory of that night. Ever through the mad Satanic discords she could hear, now faint, now conquering, the Pilgrims’ onward march. So through the jangled discords of the world one heard the Song of Life. Through the dim aeons of man’s savage infancy; through the centuries of bloodshed and of horror; through the dark ages of tyranny and superstition; through wrong, through cruelty, through hate; heedless of doom, heedless of death, still the nightingale’s song: “I love you. I love you. I love you. We will build a nest. We will rear our brood. I love you. I love you. Life shall not die.” “And suppose we do?” agreed Joan, her courage rising. “Why should we shun one another, as if we were both of us incapable of decency or self-control? Why must love be always assumed to make us weak and contemptible, as if it were some subtle poison? Why shouldn’t it strengthen and ennoble us?”